LUCA PACIOLI AND THE “CONTROVERSY OF THE PERSPECTIVE”: THE CLASSIFICATION OF THE MATHEMATICS FROM THE CLASSICAL ANTIQUITY TO THE END OF THE QUATTROCENTO.
DOI:
10.47976/RBHM2007vn41Palabras clave:
LUCA PACIOLI AND THE “CONTROVERSY OF THE PERSPECTIVE”: THE CLASSIFICATION OF THE MATHEMATICS FROM THE CLASSICAL ANTIQUITY TO THE END OF THE QUATTROCENTO.Resumen
There have been several classifications of sciences toward the history. Until now, a demarcation criterion which allows discerning what should or should not be called science and how to distinguish it related to its nature has been debated.
In the medieval world, the branches of knowledge, responsible for the individual educational basis, were called Artes Liberales (Liberal Arts). These ones were cultivated for the education of the free man (lat. Liber) opposing to the Artes Iliberales (Illiberal Arts) which had economic purposes.
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ADAM, James. On the Origin of the Word 'Arts' in 'Bachelor of Arts,' Etc. The Classical Review, Vol. 15, No. 4. (May, 1901), pp. 220-221.
ARGAN. Giulio Carlo. Storia dell'arte italiana. Milan: Gruppo Editoriale Fabbri, 1993.
ARGAN, Giulio Carlo. História da Arte Italiana: De Giotto a Leonardo. Trad. Wilma De Katinsky. São Paulo: Cosac & Naify, 2003. v. 2.
ARISTOTLE. Aristotelis opera cum Averrois commentariis. Frankfurt am Main: Minerva G.m.b.H., 1962. v. VIII: Metaphysicorum Libri XIIII. (Repr. Ed. Venitiis: Junctas, 1562).
AZZOLINI, Monica. Anatomy of a Dispute: Leonardo, Pacioli, and Scientific Entertainment in Renaissance Milan. Early Science and Medicine, 9.2, p.115-135, 2004.
AZZOLINI, Monica. In praise of art: text and context of Leonardo's Paragone and its critique of the arts and sciences. Renaissance Studies. vol. 19, n. 4, p. 487 - 510, set. 2005.
BERTATO, Fábio Maia. A obra “De Divina Proportione” (1509) de Frà Luca Pacioli. In: SEMINÁRIO NACIONAL DE HISTÓRIA DA MATEMÁTICA, 5, 2003, Rio Claro. Anais... Rio Claro: SBHMat, 2003. p. 281 - 292.
ARGAN. Giulio Carlo. Storia dell'arte italiana. Milan: Gruppo Editoriale Fabbri, 1993.
ARGAN, Giulio Carlo. História da Arte Italiana: De Giotto a Leonardo. Trad. Wilma De Katinsky. São Paulo: Cosac & Naify, 2003. v. 2.
ARISTOTLE. Aristotelis opera cum Averrois commentariis. Frankfurt am Main: Minerva G.m.b.H., 1962. v. VIII: Metaphysicorum Libri XIIII. (Repr. Ed. Venitiis: Junctas, 1562).
AZZOLINI, Monica. Anatomy of a Dispute: Leonardo, Pacioli, and Scientific Entertainment in Renaissance Milan. Early Science and Medicine, 9.2, p.115-135, 2004.
AZZOLINI, Monica. In praise of art: text and context of Leonardo's Paragone and its critique of the arts and sciences. Renaissance Studies. vol. 19, n. 4, p. 487 - 510, set. 2005.
BERTATO, Fábio Maia. A obra “De Divina Proportione” (1509) de Frà Luca Pacioli. In: SEMINÁRIO NACIONAL DE HISTÓRIA DA MATEMÁTICA, 5, 2003, Rio Claro. Anais... Rio Claro: SBHMat, 2003. p. 281 - 292.
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2020-11-07
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BERTATO, Fábio Maia; LOFFREDO D'OTTAVIANO, Itala Maria. LUCA PACIOLI AND THE “CONTROVERSY OF THE PERSPECTIVE”: THE CLASSIFICATION OF THE MATHEMATICS FROM THE CLASSICAL ANTIQUITY TO THE END OF THE QUATTROCENTO. Revista Brasilera de História de la Matemática, São Paulo, p. 41, 2020. DOI: 10.47976/RBHM2007vn41. Disponível em: https://mail.rbhm.org.br/index.php/RBHM/article/view/320. Acesso em: 25 nov. 2024.
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